![]() Guggenheim Museum, New York the Museum of Contemporary Art, Los Angeles the Peggy Guggenheim Collection, Venice and the Tate Modern, London. Kline’s work resides in the permanent collections of the Metropolitan Museum of Art, New York Whitney Museum of American Art, New York Solomon R. In 1962, at the age of 51, Kline died of rheumatic heart failure. In the late ‘50s, Kline began a series of monumental “wall paintings” around this time he also began reintroducing color into his work. Throughout the 1950s and early ‘60s, his work was included in numerous exhibitions including The New American Painting at the Museum of Modern Art in New York. Kline exhibited his signature black and white paintings at his first solo show in 1950 at the Egan Gallery. Kline began to develop his distinctive style of intense tonal contrast and thickly layered paint, using a house painting brush to create aggressive black lines on canvas. It was there that he met Willem de Kooning, who introduced him to abstraction. Trained in traditional techniques of painting, illustration and drafting, Kline settled in New York where he produced cityscapes, portraits and interior scenes. During the 1950's, Kline developed his unique vocabulary of gestural brushstrokes and became associated with the. His early work was figurative, social realism with cubist overtones. He studied art at Boston University and the Heatherley School of Fine Art in London. Kline studied art in London before settling in New York in 1939. Kline was born in Wilkes-Barre, Pennsylvania, in 1910. And unlike his contemporaries, Kline was reluctant to attribute hidden meaning to his work, prefiguring the Minimalist movement and inspiring sculptors like Donald Judd and Richard Serra. His strident brushwork imparts a sense of immediacy that belies the calculated nature of his creative process in fact, he made extensive compositional studies for his paintings. Often cited as a quintessential action painter, Kline was unique among his contemporaries in a number of ways. Franz Kline, regarded as one of the most important and inventive Abstract Expressionists of the New York School, is best known for his large-scale black-and-white gestural paintings.
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